Marvins Room

Hello Yeah, I just walked in Yeah, I'm good you still working? Tonight, right now? Did I go out? Yeah, I went out I went, I went to a couple of clubs I never went to bed Shit... wine or water You should see someone about a cold drink I don't know, I'm delirious... night. Cups of the Rosé Bitches in my old phone I should call one and go home I've been in this club too long The woman that I would try Is happy with a good guy But I've been drinking so much That I'mma call her anyway and say "Fuck that nigga that you love so bad I know you still think about the times we had." I say, "Fuck that nigga that you think you found And since you picked up I know he's not around." (Are you drunk right now?) I'm just sayin' you could do better Tell me have you heard that lately? I'm just sayin' you could do better And I'll start hatin' only if you make me Uh, cups of the XO All my people been here I see all of her friends here Guess she don't have the time to kick it no more Flights in the morning What you doing that's so important? I've been drinking so much That I'mma call you anyway and say "Fuck that nigga that you love so bad I know you still think about the times we had." I say, "Fuck that nigga that you think you found And since you picked up I know he's not around." (Are you drunk right now?) I'm just sayin', you could do better Tell me have you heard that lately I'm just sayin' you could do better And I'll start hatin' only if you make me I think I'm addicted to naked pictures And sitting talkin' 'bout bitches that we almost had I don't think I'm conscious Of making monsters Outta the women I sponsor 'Til it all goes bad But shit it's all good We threw a party, yeah we threw a party Bitches came over, yeah, we threw a party I was just calling 'cause they were just leaving Talk to me please, don't have much to believe in I need you right now, are you down to listen to me? Too many drinks have been given to me I got some women that's living off me Paid for their flights and hotels I'm ashamed Bet that you know them, I won't say no names After a while girl they all seem the same I've had sex four times this week, I'll explain Having a hard time adjusting to fame Sprite in that mixture, I've been talking crazy girl I'm lucky that you picked up Lucky that you stayed on I need someone to put this weight on "Well, I'm sorry." "Are you drunk right now?" I'm just sayin' you could do better Tell me have you heard that lately I'm just sayin' you could do better And I'll start hatin' only if you make me "You're not gon' come?" "Guess I'm 'bout to just kick it here then..." Just throw up while I hold your hair back Her white friend said, "You niggas crazy." I hope no-one heard that I hope no-one heard that 'Cause if they did, we gon' be in some trouble If they did, we gon' be in some trouble, trouble

Composer: Noah James Shebib, Aubrey Drake Graham, Adrian Eccleston, Jason Beck

In-depth Analysis of 'Marvins Room' by LyricLens AI

Drake's "Marvins Room," from his seminal 2011 album Take Care, stands as a raw and unflinching confessional. It encapsulates a late-night, alcohol-fueled phone call to an ex-lover, exposing the messy underbelly of fame, loneliness, and the complex emotions surrounding past relationships. The track is celebrated for its vulnerability and relatable depiction of post-breakup anguish, driven by a cocktail of regret and longing.

Central Themes Explored:

Drunken Regret & Nostalgia: The song is framed by a series of intoxicated phone calls to an ex, highlighting Drake's attempt to reconnect and express unresolved feelings under the influence. He idealizes the past, blurring the lines between genuine emotion and liquor-induced sentimentality.
The Isolation of Fame: Despite his success, Drake paints a picture of profound loneliness. Surrounded by "bitches" he sponsors and casual encounters, he yearns for genuine connection and the stability of a past love, revealing the hollowness that can accompany celebrity.
Vulnerability & Entitlement: Drake oscillates between genuine vulnerability, admitting his struggles with fame and needing someone to "put this weight on," and a sense of entitlement, telling his ex she "could do better" and attempting to disrupt her current happy relationship. This duality is central to the song's emotional complexity.

"Marvins Room" serves as a poignant exploration of toxic longing, the destructive impulses spurred by alcohol, and the enduring human need for authentic connection amidst superficiality. It captures a moment of raw, unfiltered emotion that resonated deeply with listeners, solidifying its place as a Drake classic.

Q&A & Fun Facts: 'Marvins Room'

What is 'Marvins Room' by Drake about?

'Marvins Room' is a melancholic R&B track where Drake, under the influence of alcohol, makes a late-night phone call to an ex-girlfriend, expressing his regret, loneliness, and desire to reconnect. It delves into themes of fame's isolating effects, toxic nostalgia, and the emotional turmoil of past relationships.

Who is Drake talking to in 'Marvins Room'?

While not explicitly named, Drake is calling an ex-girlfriend with whom he clearly still has strong feelings, despite her being in a new, happy relationship. The calls represent a drunken attempt to disrupt her current life and win her back, fueled by his own emotional instability.

What is the significance of the title 'Marvins Room'?

The title refers to a recording studio in Studio City, California, owned by producer Noah "40" Shebib, where parts of Drake's album Take Care were recorded. It's often associated with a secluded, intimate space conducive to deep, introspective artistry, reflecting the song's personal and vulnerable nature.

Fun Facts:

The song features uncredited female vocals from Ericka Lee and Jessica Reyez on the outro, adding to its atmospheric and conversational feel.
"Marvins Room" was famously sampled by multiple artists, including JoJo for her 2011 song "Marvin's Room (Can't Do Better)," which provided a female response to Drake's narrative.
The track is often cited as a pivotal moment in Drake's career, showcasing his vulnerability and setting a tone for his distinctive blend of singing and rapping that would define much of his subsequent work.